At the begin of the year Bamboo Dart Press released Peter Wortsman’s The Laboratory of Time book of cut up poetry which has garnered praise from more corners than there are around the entirety of yer town. Now, that book has come to life as a 31 minute piece of music employing the poems from …
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In What We Leave Behind, Peter Wortsman’s fourth book of cut-ups, he lets the words run wild, in some cases, as in French poet Guillaume Apollinaire’s Calligrames (1918), letting words break ranks and dance on the page; in other cases, coupling word and image; and finally, succumbing to the lure of the visual in collages …
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The Laboratory of Time, and other cutup poems, Peter Wortsman’s third collection of experiments in the form, lets time be told in the way we live it, sometimes stretching a second into seeming eternity, sometimes compressing eternity into a second. The first part, titled “The True Glue,” comprises recycled assemblages of words cut out of …
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Like driftwood, words, phrases and severed sentences come floating by. Part fisherman, part scavenger, I spread my net and rescue these bits of debris from the deep. I can’t say why certain severed statements catch my eye. Floating fragments of meaning, they sparkle and speak to me. And by a peculiar lure beyond my conscious …
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Peter Wortsman’s second book for us is a bookend to last years Borrowed Words book. Wortsman writes: “Like driftwood, words, phrases and severed sentences come floating by. Part fisherman, part scavenger, I spread my net and rescue these bits of debris from the deep. I can’t say why certain severed statements catch my eye. Floating …
Peter Wortsman’s book of cut up poetry is out today. It features both the original cut ups mirroring a translation on every other page. Wortsman is a poet, essayist and novelist and in Borrowed Words his dependance on the words of others does not hinder his creative ear and offers some playful pieces of art …
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Like a farmer rotating his crops, Peter Wortsman periodically ploughs words back into the mulch of meaning. Romanian émigré DADA poet Tristran Tzara gave it a name: cut-up (or “découpé” in French). Wortsman reverts to cutups when he’s too distracted, depressed, dumbfounded or deranged to write in the regular manner. As the isolation of virtual …
